Skip to main content

Texture is very important to Lennie. What would be some examples from Of Mice and Men?

Texture stimulates Lennie in a way that it overrides his limited capacity for rational thinking. Once he is in contact with something that feels soft to the touch, Lennie reverts to a primitive, almost primal behavior quite similar to the engagement that is felt during sexual arousal. The difference is that someone who can keep control of their emotions would be able to snap out of such sense of arousal (albeit quite difficultly) and move...

Texture stimulates Lennie in a way that it overrides his limited capacity for rational thinking. Once he is in contact with something that feels soft to the touch, Lennie reverts to a primitive, almost primal behavior quite similar to the engagement that is felt during sexual arousal. The difference is that someone who can keep control of their emotions would be able to snap out of such sense of arousal (albeit quite difficultly) and move on to do something else. 


Lennie, on the other hand, locks-in his emotion and continues to build upon it, to the point in which his physical activity overrides everything else. His impulses take control of him. 


It is because of this issue with texture that Lennie and George end up in Soledad in the first place. Lennie inappropriately touched a girl's dress when they were living in the town of Weed. Like it always happens, Lennie would not let go of it. It comes to no surprise that the girl felt completely awkward about the situation and wanted to get out of it by screaming for help. This is one of many situations that got Lennie and George kicked out of places.


Steinbeck - Of Mice and Men






 “Jus’ wanted to feel that girl’s dress—jus’ wanted to pet it like it was a mouse—Well, how the hell did she know you jus’ wanted to feel her dress? She jerks back and you hold on like it was a mouse. She yells and we got to hide in a irrigation ditch all day with guys lookin’ for us...



George grows increasingly frustrated with the situation. He knows he is pretty much stuck with Lennie for life, and he tries his best to make the best out of his frustrating issue. Nothing stops, however.


Right as Lennie and George are on the way to the ranch. Lennie has been feeling something in his pocket and George knows what it is. Lennie had been petting a mouse in his pocket but, in typical Lennie style, he was petting too hard and ended up killing it. George already knows the routine, and just asks Lennie to take the mouse out of his pocket. 



Steinbeck - Of Mice and Men





You got it in your hand. What you got in your hand— “A mouse? A live mouse?” “Uh-uh. Jus’ a dead mouse, George. I didn’t kill it. Honest! I found it. 









Deep inside, George knows that Lennie is dangerous. Moreover, he realizes that Lennie's impulsivity is growing stronger. The dead mouse, and the angry girl, are all foreshadowing the tragic ending that Lennie will bring upon both men toward the end of the novella.








Comments

Popular posts from this blog

What is the meaning of "juggling fiends" in Macbeth?

Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a... Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a sense of guilt, and that man tells him: Despair thy charm. And let the angel whom thou still hast serve...

In Martel's Life of Pi, how does writing a diary help Pi Patel build on his leadership skills?

At the end of chapter 73, Pi first divulges the fact that he had started a diary after about a week alone at sea. Pi claims that he wrote about "practical stuff" (208) such as what he caught for food, foreseeable problems and solutions, Richard Parker, and reflections about specific events that occurred. In a sense, Pi is the captain of his ship; therefore, he must take responsibility for himself and his crew. He can... At the end of chapter 73, Pi first divulges the fact that he had started a diary after about a week alone at sea. Pi claims that he wrote about "practical stuff" (208) such as what he caught for food, foreseeable problems and solutions, Richard Parker, and reflections about specific events that occurred. In a sense, Pi is the captain of his ship; therefore, he must take responsibility for himself and his crew. He can do this by writing down events, problems and solutions, and reflections to look back on when confronted with repeated problems. It can ...

Why did Tybalt attack and kill Mercutio instead of Romeo, who he had originally been targeting?

Though Tybalt's quarrel is with Romeo, he begins the momentous duel in Act 3 by fighting with and killing Mercutio instead. Tybalt ultimately attacks Mercutio because the garrulous and hot-headed character insults Tybalt and goads him into a duel to protect Romeo's honor. From the beginning of the encounter in Act 3, Scene 1, it's clear that Mercutio is itching for a fight. For instance, when Tybalt signals that he wants to talk to Mercutio... Though Tybalt's quarrel is with Romeo, he begins the momentous duel in Act 3 by fighting with and killing Mercutio instead. Tybalt ultimately attacks Mercutio because the garrulous and hot-headed character insults Tybalt and goads him into a duel to protect Romeo's honor. From the beginning of the encounter in Act 3, Scene 1, it's clear that Mercutio is itching for a fight. For instance, when Tybalt signals that he wants to talk to Mercutio and Benvolio, Mercutio responds "And but one word with one of us?/ Couple it w...