Skip to main content

What were the significant contributions of Spivak and Bhabha to their schools of literary criticism? Also, what contributions to criticism have...

Gayatri Spivak has been an influential figure in rethinking Marxism, postmodernism, and feminism in the context of post-colonial, transnational capitalism. Her most often cited texts are the essay “Can the Subaltern Speak?” and her book A Critique of Postcolonial Reason.Spivak’s notion of the “subaltern,” an underclass that exists independent of Marx’s proletariat, is an attempt to theorize classes of people, particularly women, who have been “erased” by the dominant culture and rendered unable to...

Gayatri Spivak has been an influential figure in rethinking Marxism, postmodernism, and feminism in the context of post-colonial, transnational capitalism. Her most often cited texts are the essay “Can the Subaltern Speak?” and her book A Critique of Postcolonial Reason. Spivak’s notion of the “subaltern,” an underclass that exists independent of Marx’s proletariat, is an attempt to theorize classes of people, particularly women, who have been “erased” by the dominant culture and rendered unable to “speak,” or be heard in public discourse.


Homi Bhabha is best known for his books Nation and Narration and The Location of Culture. Bhabha argues that traditional European notions of nationhood (that a nation can be defined by a single, coherent historical narrative) cannot apply to post colonial nations, and that instead national identity is “imagined” or produced through the interaction and conflict of many different cultural experiences. In fact, colonial rule itself produces the conditions for resistance through “mimicry” – the idea that by trying to instill European language and values on native populations, colonial rulers actually invite indigenous co-optation and inversion of official language.


Trauma theory seeks to understand the significance of past catastrophes or traumas. It is based on a few basic principles: first, that the trauma did happen; second, that the totality of the trauma is inaccessible to representation; third, that testimony about the trauma is a legitimate way to understand the importance of the trauma; fourth, the collective narrative created by testimony about the trauma can, through its incompleteness, provide “spaces” in which the significance of the trauma can be understood. Trauma theory provides a theoretical framework within which personal experience can be used to understand or construct the “reality” of historical trauma.


Taken together, Spivak and Bhabha, along with the trauma theorists, can be understood to be engaged in the same project: understanding and articulating the colonial experience – finding a way, either through Bhabha’s notion of “mimicry” or the “testimony” of trauma victims, to allow Spivak’s subaltern to finally speak.


Sources:


Berger, James. “Trauma and Literary Theory”. Contemporary Literature 38.3 (1997): 569–582. Web.


Simon, Jon, ed. From Agamben to Zizek: Contemporary Critical Theorists. Edinburgh: Univ. of Edinburgh Press. 2010. Print.

Comments

Popular posts from this blog

What is the meaning of "juggling fiends" in Macbeth?

Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a... Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a sense of guilt, and that man tells him: Despair thy charm. And let the angel whom thou still hast serve...

What are some external and internal conflicts that Montag has in Fahrenheit 451?

 Montag, the protagonist of Fahrenheit 451, faces both external and internal conflicts throughout the novel. Some examples of these conflicts are: External Conflicts: Conflict with the society: Montag lives in a society that prohibits books and critical thinking. He faces opposition from the government and the people who enforce this law. Montag struggles to come to terms with the fact that his society is based on censorship and control. Conflict with his wife: Montag's wife, Mildred, is completely absorbed in the shallow and meaningless entertainment provided by the government. Montag's growing dissatisfaction with his marriage adds to his external conflict. Conflict with the fire captain: Montag's superior, Captain Beatty, is the personification of the oppressive regime that Montag is fighting against. Montag's struggle against Beatty represents his external conflict with the government. Internal Conflicts: Conflict with his own beliefs: Montag, at the beginning of th...

What is is the point of view in the story "The Scarlet Ibis" and the writing style used by the author?

This story uses the first person point of view. Brother, a character in the story, is the narrator. Using first person narration, Brother is able to tell the story from his own perspective and personal experience. So, the reader gets the events from Brother's own memory. Although this is not a series of diary entries, Brother does recall these events in a similar way. This story is Brother's confession about how he treated and mistreated... This story uses the first person point of view. Brother, a character in the story, is the narrator. Using first person narration, Brother is able to tell the story from his own perspective and personal experience. So, the reader gets the events from Brother's own memory. Although this is not a series of diary entries, Brother does recall these events in a similar way. This story is Brother's confession about how he treated and mistreated his younger brother, Doodle.  So, it is similar to a story like Edgar Allen Poe's "The C...