Skip to main content

After watching this short 1 minute clip: what is the effect of the actors' movements and how do they use movements to develop their character's...

With any of Shakespeare's plays, it helps to understand them better by seeing the characters come to life with movement. Often, when simply reading a play, students are confused because they can't see the nonverbal body language that assists in the communication and understanding behind characters' motives and behaviors. After viewing this referenced video clip, a student might understand better the hilarity behind Titania showing enthusiastic love towards Bottom because he has the donkey's head...

With any of Shakespeare's plays, it helps to understand them better by seeing the characters come to life with movement. Often, when simply reading a play, students are confused because they can't see the nonverbal body language that assists in the communication and understanding behind characters' motives and behaviors. After viewing this referenced video clip, a student might understand better the hilarity behind Titania showing enthusiastic love towards Bottom because he has the donkey's head on. Bottom is singing because he thinks his friends left him in the forest to scare him; so, he's showing them that he isn't afraid. Neither does he know that he looks like a donkey because he is singing and acting naturally, like himself, without fear of what he looks like. His carefree attitude and movements help to show his mindframe and personality at that point in time. Then, the actress who plays Titania communicates her love for the beast by jumping around, by touching him affectionately, and by using a loving tone of voice. Again, body language helps audience members and students alike to understand what is being communicated other than just through the words, which many find difficult to understand as it is. 

Comments

Popular posts from this blog

What is the meaning of "juggling fiends" in Macbeth?

Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a... Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a sense of guilt, and that man tells him: Despair thy charm. And let the angel whom thou still hast serve...

In Martel's Life of Pi, how does writing a diary help Pi Patel build on his leadership skills?

At the end of chapter 73, Pi first divulges the fact that he had started a diary after about a week alone at sea. Pi claims that he wrote about "practical stuff" (208) such as what he caught for food, foreseeable problems and solutions, Richard Parker, and reflections about specific events that occurred. In a sense, Pi is the captain of his ship; therefore, he must take responsibility for himself and his crew. He can... At the end of chapter 73, Pi first divulges the fact that he had started a diary after about a week alone at sea. Pi claims that he wrote about "practical stuff" (208) such as what he caught for food, foreseeable problems and solutions, Richard Parker, and reflections about specific events that occurred. In a sense, Pi is the captain of his ship; therefore, he must take responsibility for himself and his crew. He can do this by writing down events, problems and solutions, and reflections to look back on when confronted with repeated problems. It can ...

Why did Tybalt attack and kill Mercutio instead of Romeo, who he had originally been targeting?

Though Tybalt's quarrel is with Romeo, he begins the momentous duel in Act 3 by fighting with and killing Mercutio instead. Tybalt ultimately attacks Mercutio because the garrulous and hot-headed character insults Tybalt and goads him into a duel to protect Romeo's honor. From the beginning of the encounter in Act 3, Scene 1, it's clear that Mercutio is itching for a fight. For instance, when Tybalt signals that he wants to talk to Mercutio... Though Tybalt's quarrel is with Romeo, he begins the momentous duel in Act 3 by fighting with and killing Mercutio instead. Tybalt ultimately attacks Mercutio because the garrulous and hot-headed character insults Tybalt and goads him into a duel to protect Romeo's honor. From the beginning of the encounter in Act 3, Scene 1, it's clear that Mercutio is itching for a fight. For instance, when Tybalt signals that he wants to talk to Mercutio and Benvolio, Mercutio responds "And but one word with one of us?/ Couple it w...