Skip to main content

Consider Walter LaFeber’s argument in Michael Jordan and the New Global Capitalism that the power of American culture and capital and the...

The main reason this question is so complicated is that it is exceedingly nonsensical. Walter LaFeber has, for many years, represented a left-leaning, revisionist school of thought that meticulously (and, occasionally, successfully) advanced the notion that the emergence of the United States as a major force in world affairs has led to the demise of every foreign culture the United States has touched. As with many critics of globalization, he views the spread of American culture through a neo-imperialist prism. The United States, unlike the great empires of the past, especially the British, does not need to physically occupy foreign nations; it gradually, somewhat imperceptibly, comes to dominate foreign nations through its economic and cultural dominance. 

Whereas LaFeber's work has traditionally focused on foreign policy and, specifically, the history of U.S. foreign policy, Michael Jordan and the New Global Capitalism cpnsiders the more subtle, if equally effective, form of the new imperialism represented by the spread of American culture to the rest of the world. To make his case, LaFeber focuses on the emergence of Michael Jordan as an international phenomenon and the marketing of his persona by Nike for the express purpose of making lots and lots of money. LaFeber also, however, critiques the role of Michael Jordan, Nike (in the person of its founder, Phil Knight) and the advertising industry in subverting our own values and culture. He does this by describing the way in which Jordan's popularity advanced the cause of the sport at which he excelled, basketball, and how the exorbitant cost of Nike's "Air Jordan" basketball shoes corrupted values among those who could least afford to be influenced by their hero, inner-city youth. 


It is in his chapter titled "New Frontiers and Inner Cities" that LaFeber focused the most on the impact of Jordan/Nike/Wall Street's marketing campaign on the most impressionable population. Quoting a 19th century sociologist, LaFeber advances the argument, still heard today, that professional sports have exploited African Americans and controlled their destinies while those of European heritage continue to profit from their labor. "Emphasizing this message," LaFeber concludes, "might sell fewer Air Jordans." Jordan had captured the imaginations of millions of youths, not just in the United States, but around the world, and that popularity was exploited for the profit of a few, mostly white businessmen. 


Michael Jordan's skills as an athlete were considered transcendent. That is probably not an exaggeration. His influence on notions of the "American dream," however, did not, LaFeber suggests, work to the benefit of those sectors of American society at the greatest disadvantage socioeconomically. Those millions of youths mesmerized by Jordan's skills, expertly captured and conveyed in television advertisements that emphasized his ability to leap across the length of the basketball court key (an ability that garnered Jordan the nickname "His Airness") not only convinced them to spend what little money they had on overpriced shoes, but convinced them that professional sports, particularly basketball, was the surest path to the American dream -- despite the fact that only the tiniest fraction of the most gifted athletes succeed in professional sports. 


If LaFeber advances a questionable proposition regarding the nefarious influence of American culture on the rest of the world, his arguments regarding the influence of Michael Jordan and Nike on American culture merits consideration. Anybody around during Jordan's heyday with the Chicago Bulls is very familiar with the effect of Nike's marketing and Jordan's popularity on inner-city culture. The shoes were so expensive and so coveted by inner city youth that beatings and killings over those items were common occurrences. In this regard, LaFeber's argument is sound. It was, again, the most socially  and economically disadvantaged who were most victimized by Jordan's and Nike's influence.

Comments

Popular posts from this blog

What are some external and internal conflicts that Montag has in Fahrenheit 451?

 Montag, the protagonist of Fahrenheit 451, faces both external and internal conflicts throughout the novel. Some examples of these conflicts are: External Conflicts: Conflict with the society: Montag lives in a society that prohibits books and critical thinking. He faces opposition from the government and the people who enforce this law. Montag struggles to come to terms with the fact that his society is based on censorship and control. Conflict with his wife: Montag's wife, Mildred, is completely absorbed in the shallow and meaningless entertainment provided by the government. Montag's growing dissatisfaction with his marriage adds to his external conflict. Conflict with the fire captain: Montag's superior, Captain Beatty, is the personification of the oppressive regime that Montag is fighting against. Montag's struggle against Beatty represents his external conflict with the government. Internal Conflicts: Conflict with his own beliefs: Montag, at the beginning of th...

In A People's History of the United States, why does Howard Zinn feel that Wilson made a flimsy argument for entering World War I?

"War is the health of the state," the radical writer Randolph Bourne said, in the midst of the First World War. Indeed, as the nations of Europe went to war in 1914, the governments flourished, patriotism bloomed, class struggle was stilled, and young men died in frightful numbers on the battlefields-often for a hundred yards of land, a line of trenches. -- Chapter 14, Page 350, A People's History of the United States Howard Zinn outlines his arguments for why World War I was fought in the opening paragraph of Chapter 14 (referenced above). The nationalism that was created by the Great War benefited the elite political and financial leadership of the various countries involved. Socialism, which was gaining momentum in Europe, as was class struggle, took a backseat to mobilizing for war. Zinn believes that World War I was fought for the gain of the industrial capitalists of Europe in a competition for capital and resources. He states that humanity itself was punished by t...

Where did Atticus take the light and extension cord in To Kill a Mockingbird?

Atticus brings the light to the courthouse jail so that he can protect Tom Robinson.  Atticus learns that Tom Robinson, his client, is in danger.  A group of white men want to prevent the trial and lynch Robinson. He is warned by a small group of men that appear at his house.  He refuses to back down.  Atticus knows that the Cunninghams will target his client, so he plans to sit up all night with... Atticus brings the light to the courthouse jail so that he can protect Tom Robinson.  Atticus learns that Tom Robinson, his client, is in danger.  A group of white men want to prevent the trial and lynch Robinson. He is warned by a small group of men that appear at his house.  He refuses to back down.  Atticus knows that the Cunninghams will target his client, so he plans to sit up all night with Jim if that’s what it takes to protect him.  Atticus tells the men that he will make sure his client gets his fair shake at the law.  “Link, that boy might go to the chair, but he’s not going till ...