Skip to main content

What two character traits does the narrator demonstrate in "The Tell-Tale Heart"?

Two traits of the narrator are insanity and paranoia. 

That the narrator is insane is very clear.  You can tell he is insane because he thinks that his roommate has an evil eye.  Then he kills him.  People who kill their roommates because they have vulture eyes are not sane. 



I undid it just so much that a single thin ray fell upon the vulture eye … but I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye.  



The narrator thinks that his roommate has an evil eye and opens the door every night for a week to look at it.  Then he kills him, and then chops him up and hides him under the floorboards.  This would be bad enough, but then the paranoia is his undoing. 


The narrator is also paranoid, or overly afraid, because he thinks that the old man’s heart is still beating after his death.  The narrator lets the police in and leads them to the spot where he hid the old man.  He keeps them there and talks to them, thinking he is being sly.  He hears a heart beating, however, and he is sure they can hear it too. 



Almighty God! --no, no! They heard! --they suspected! --they knew! --they were making a mockery of my horror!-this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! 



The narrator’s paranoia gets the better of him, and he confesses.  You can see how the two traits, the insanity and paranoia, work together to create the plot here.  If the narrator wasn’t crazy and paranoid, he wouldn’t have killed his roommate and hidden him under the floorboards and then confessed to the police. 

Comments

Popular posts from this blog

What is the meaning of "juggling fiends" in Macbeth?

Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a... Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a sense of guilt, and that man tells him: Despair thy charm. And let the angel whom thou still hast serve...

What are some external and internal conflicts that Montag has in Fahrenheit 451?

 Montag, the protagonist of Fahrenheit 451, faces both external and internal conflicts throughout the novel. Some examples of these conflicts are: External Conflicts: Conflict with the society: Montag lives in a society that prohibits books and critical thinking. He faces opposition from the government and the people who enforce this law. Montag struggles to come to terms with the fact that his society is based on censorship and control. Conflict with his wife: Montag's wife, Mildred, is completely absorbed in the shallow and meaningless entertainment provided by the government. Montag's growing dissatisfaction with his marriage adds to his external conflict. Conflict with the fire captain: Montag's superior, Captain Beatty, is the personification of the oppressive regime that Montag is fighting against. Montag's struggle against Beatty represents his external conflict with the government. Internal Conflicts: Conflict with his own beliefs: Montag, at the beginning of th...

In A People's History of the United States, why does Howard Zinn feel that Wilson made a flimsy argument for entering World War I?

"War is the health of the state," the radical writer Randolph Bourne said, in the midst of the First World War. Indeed, as the nations of Europe went to war in 1914, the governments flourished, patriotism bloomed, class struggle was stilled, and young men died in frightful numbers on the battlefields-often for a hundred yards of land, a line of trenches. -- Chapter 14, Page 350, A People's History of the United States Howard Zinn outlines his arguments for why World War I was fought in the opening paragraph of Chapter 14 (referenced above). The nationalism that was created by the Great War benefited the elite political and financial leadership of the various countries involved. Socialism, which was gaining momentum in Europe, as was class struggle, took a backseat to mobilizing for war. Zinn believes that World War I was fought for the gain of the industrial capitalists of Europe in a competition for capital and resources. He states that humanity itself was punished by t...