Skip to main content

How does Kipling depict the native populations of colonized areas in "The White Man's Burden"?

In "The White Man's Burden," Kipling depicts the native population in a uniformly negative way. In the first stanza, for example, Kipling suggests that these people are "half devil and half child," which emphasizes their cultural inferiority and religious differences. This is also reinforced in the final stanza when Kipling calls them "heathen."


In the next stanza, Kipling switches his focus and looks at the personal characteristics of the colonized people. They are excessively proud...

In "The White Man's Burden," Kipling depicts the native population in a uniformly negative way. In the first stanza, for example, Kipling suggests that these people are "half devil and half child," which emphasizes their cultural inferiority and religious differences. This is also reinforced in the final stanza when Kipling calls them "heathen."


In the next stanza, Kipling switches his focus and looks at the personal characteristics of the colonized people. They are excessively proud ("to check the show of pride") and have a propensity to violence ("to veil the threat of terror"). In addition, Kipling says that the colonized people are less intelligent than the imperialists through his suggestion that they need "open" and "simple" speech in order to understand.


Finally, Kipling stereotypes colonized people as being disease-ridden and suffering from famine:



Fill full the mouth of famine


And bid the sickness cease.



In other words, the colonized people need imperialism to save them from this life of suffering and sin. 

Comments

Popular posts from this blog

What is the meaning of "juggling fiends" in Macbeth?

Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a... Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a sense of guilt, and that man tells him: Despair thy charm. And let the angel whom thou still hast serve...

In Martel's Life of Pi, how does writing a diary help Pi Patel build on his leadership skills?

At the end of chapter 73, Pi first divulges the fact that he had started a diary after about a week alone at sea. Pi claims that he wrote about "practical stuff" (208) such as what he caught for food, foreseeable problems and solutions, Richard Parker, and reflections about specific events that occurred. In a sense, Pi is the captain of his ship; therefore, he must take responsibility for himself and his crew. He can... At the end of chapter 73, Pi first divulges the fact that he had started a diary after about a week alone at sea. Pi claims that he wrote about "practical stuff" (208) such as what he caught for food, foreseeable problems and solutions, Richard Parker, and reflections about specific events that occurred. In a sense, Pi is the captain of his ship; therefore, he must take responsibility for himself and his crew. He can do this by writing down events, problems and solutions, and reflections to look back on when confronted with repeated problems. It can ...

Why did Tybalt attack and kill Mercutio instead of Romeo, who he had originally been targeting?

Though Tybalt's quarrel is with Romeo, he begins the momentous duel in Act 3 by fighting with and killing Mercutio instead. Tybalt ultimately attacks Mercutio because the garrulous and hot-headed character insults Tybalt and goads him into a duel to protect Romeo's honor. From the beginning of the encounter in Act 3, Scene 1, it's clear that Mercutio is itching for a fight. For instance, when Tybalt signals that he wants to talk to Mercutio... Though Tybalt's quarrel is with Romeo, he begins the momentous duel in Act 3 by fighting with and killing Mercutio instead. Tybalt ultimately attacks Mercutio because the garrulous and hot-headed character insults Tybalt and goads him into a duel to protect Romeo's honor. From the beginning of the encounter in Act 3, Scene 1, it's clear that Mercutio is itching for a fight. For instance, when Tybalt signals that he wants to talk to Mercutio and Benvolio, Mercutio responds "And but one word with one of us?/ Couple it w...