Skip to main content

Why did Edgar Allan Poe choose the title “The Tell-Tale Heart?"

In Poe's short story "The Tell-Tale Heart," the narrator murders an old man he lives with, dismembers the body, and buries it under the floor. As the narrator contemplates the murder, standing in the doorway of the man's room, he believes he hears the beating of the man's heart as he lies in his bed. The narrator believes that due to an illness his senses have been heightened. He believes the man's heart is beating loudly in fear. As he descends upon the man to suffocate him, he continues to hear the beating, but at last the sound subsides, and the narrator determines the man is dead. 

After the narrator buries the body under the floor, three policemen enter the house. The narrator is so confident that his crime will not be discovered that he invites them to sit down, right over the place where the corpse is buried. Although he laughs and chats with the policemen at first, soon he becomes distraught. He believes he hears the same sound he heard previously, which he thought was the old man's heart. This disturbs him greatly, and finally he shouts, "I admit the deed!—tear up the planks!—here, here!—it is the beating of his hideous heart!”


One interpretation of the story is that some supernatural process is at work. The narrator suggests near the beginning of the story, "I heard all things in the heaven and in the earth. I heard many things in hell." Thus the heart he hears at the end of the story may be a demonic sound or it may be a heavenly sound--one designed to bring judgment on him for his horrible sin.


Although that is one interpretation, it is not the probable one. The narrator is the quintessential unreliable narrator; he claims he is not mad, and the more he insists, the more the reader believes he is. If he is mad before he kills the man, then his perceptions may be warped. The sound he thinks is the man's heartbeat may be his imagination, or it may be his own heart. As he becomes more and more angry at seeing the man's "vulture eye," his heart beats more loudly so that he can "hear" it within himself, even though he is really only feeling it. As he gets calmer as the man dies, his heartbeat slows, and he can no longer hear it. But when he is sitting with the policemen, he begins to get nervous, and his heart beats more quickly. Again, he feels his own heartbeat but thinks he hears it, causing him to make his confession.


So why did Poe choose the title he did? He could have named it after the narrator's own heart, which was the "tell-tale" heart, like a tattle-tale, that gave him away. Since the narrator is the one who is telling the tale to begin with, using the term "tell-tale" is a pun that gives a clue to the story's interpretation. The title also alludes to a famous saying, "Dead men tell no tales." That is ironic in this context because in the narrator's view, the dead man did "tell" on him. The saying is also often used as a motive for murder, so using the term in the title also signifies the story is going to be about a violent murder by a ruthless killer. 

Comments

Popular posts from this blog

What is hyperbole in the story "The Gift of the Magi" by O. Henry?

The most obvious use of hyperbole in "The Gift of the Magi" occurs when the narrator describes Della's and Jim's evaluations of their two treasures—her long, luxuriant hair and his gold watch. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his... The most obvious use of hyperbole in "The Gift of the Magi" occurs when the narrator describes Della's and Jim's evaluations of their two treasures—her long, luxuriant hair and his gold watch. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him plu

How can I analyze Moon and Six Pence by Somerset Maugham?

In "Moon and Sixpence," loosely based on the life of Paul Gaugin, Maugham presents a study of the tension between the "civilized" life of 19th century Europe, and the lead character's desire to throw off the shackles of bourgeois life. Charles Strickland is a middle-aged English stockbroker with a wife and family. By abandoning his domestic life, Strickland commits what many in European society would consider a gross betrayal of one of the foundations of... In "Moon and Sixpence," loosely based on the life of Paul Gaugin, Maugham presents a study of the tension between the "civilized" life of 19th century Europe, and the lead character's desire to throw off the shackles of bourgeois life. Charles Strickland is a middle-aged English stockbroker with a wife and family. By abandoning his domestic life, Strickland commits what many in European society would consider a gross betrayal of one of the foundations of that society. His decision to e

What are some literary devices in Macbeth, Act V, Scene 1?

Act V, Scene i of Macbeth certainly continues the imagery that is prevalent in the play with its phantasmagoric realm, as in this scene a succession of things are seen or imagined by Lady Macbeth. Imagery - The representation of sensory experience Lady Macbeth imagines that she sees bloody spots (visual imagery) on the stairs; she also smells blood (olfactory imagery): Here's the smell of the blood still. All the perfumes of Arabia will not... Act V, Scene i of Macbeth certainly continues the imagery that is prevalent in the play with its phantasmagoric realm, as in this scene a succession of things are seen or imagined by Lady Macbeth. Imagery - The representation of sensory experience Lady Macbeth imagines that she sees bloody spots (visual imagery) on the stairs; she also smells blood (olfactory imagery): Here's the smell of the blood still. All the perfumes of Arabia will not sweeten this little hand. Oh! oh, oh! (5.1.53-55) Hyperbole - Obvious exaggeration  There is also h