Skip to main content

How are masculinity and femininity presented and explored in Shakespeare's Macbeth?

The audience has a chance to see the way the Macbeths' society conceived of masculinity and femininity in the interactions that take place between Macbeth and Lady Macbeth.  After Macbeth has decided not to go forward with the murder of Duncan in Act 1, scene 7, Lady Macbeth insults him, calling him "green and pale" and a "coward" (1.7.41, 1.7.47).  She claims that having made a promise to her, it shows weakness and a lack...

The audience has a chance to see the way the Macbeths' society conceived of masculinity and femininity in the interactions that take place between Macbeth and Lady Macbeth.  After Macbeth has decided not to go forward with the murder of Duncan in Act 1, scene 7, Lady Macbeth insults him, calling him "green and pale" and a "coward" (1.7.41, 1.7.47).  She claims that having made a promise to her, it shows weakness and a lack of masculinity for him to break it.  He understands that she means to insult his manhood in this way because he says, "I dare do all that may become a man. / Who dares do more is none" (1.7.51-52).  In other words, he insists that he is really a man, despite what she's said.  Her implication, though, is that men should be strong and ruthless, that they should keep their promises no matter the danger, and that they be ambitious and willing to follow their ambition.


Near the end of this exchange, Macbeth tells his wife to "Bring forth men-children only, / For thy undaunted mettle should compose / Nothing but males" (1.7.83-85).  By this, we can understand that Lady Macbeth's recent behavior has been much more aligned with what is expected of men rather than women.  She has been domineering rather than submissive, ruthless rather than compassionate, insulting to him rather than comforting.  Lady Macbeth has manipulated her husband, and he knows it.  Women of their time are not supposed to behave in such a manner.

Comments

Popular posts from this blog

What is the meaning of "juggling fiends" in Macbeth?

Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a... Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a sense of guilt, and that man tells him: Despair thy charm. And let the angel whom thou still hast serve...

In Martel's Life of Pi, how does writing a diary help Pi Patel build on his leadership skills?

At the end of chapter 73, Pi first divulges the fact that he had started a diary after about a week alone at sea. Pi claims that he wrote about "practical stuff" (208) such as what he caught for food, foreseeable problems and solutions, Richard Parker, and reflections about specific events that occurred. In a sense, Pi is the captain of his ship; therefore, he must take responsibility for himself and his crew. He can... At the end of chapter 73, Pi first divulges the fact that he had started a diary after about a week alone at sea. Pi claims that he wrote about "practical stuff" (208) such as what he caught for food, foreseeable problems and solutions, Richard Parker, and reflections about specific events that occurred. In a sense, Pi is the captain of his ship; therefore, he must take responsibility for himself and his crew. He can do this by writing down events, problems and solutions, and reflections to look back on when confronted with repeated problems. It can ...

Why did Tybalt attack and kill Mercutio instead of Romeo, who he had originally been targeting?

Though Tybalt's quarrel is with Romeo, he begins the momentous duel in Act 3 by fighting with and killing Mercutio instead. Tybalt ultimately attacks Mercutio because the garrulous and hot-headed character insults Tybalt and goads him into a duel to protect Romeo's honor. From the beginning of the encounter in Act 3, Scene 1, it's clear that Mercutio is itching for a fight. For instance, when Tybalt signals that he wants to talk to Mercutio... Though Tybalt's quarrel is with Romeo, he begins the momentous duel in Act 3 by fighting with and killing Mercutio instead. Tybalt ultimately attacks Mercutio because the garrulous and hot-headed character insults Tybalt and goads him into a duel to protect Romeo's honor. From the beginning of the encounter in Act 3, Scene 1, it's clear that Mercutio is itching for a fight. For instance, when Tybalt signals that he wants to talk to Mercutio and Benvolio, Mercutio responds "And but one word with one of us?/ Couple it w...