Skip to main content

How are masculinity and femininity presented and explored in Shakespeare's Macbeth?

The audience has a chance to see the way the Macbeths' society conceived of masculinity and femininity in the interactions that take place between Macbeth and Lady Macbeth.  After Macbeth has decided not to go forward with the murder of Duncan in Act 1, scene 7, Lady Macbeth insults him, calling him "green and pale" and a "coward" (1.7.41, 1.7.47).  She claims that having made a promise to her, it shows weakness and a lack...

The audience has a chance to see the way the Macbeths' society conceived of masculinity and femininity in the interactions that take place between Macbeth and Lady Macbeth.  After Macbeth has decided not to go forward with the murder of Duncan in Act 1, scene 7, Lady Macbeth insults him, calling him "green and pale" and a "coward" (1.7.41, 1.7.47).  She claims that having made a promise to her, it shows weakness and a lack of masculinity for him to break it.  He understands that she means to insult his manhood in this way because he says, "I dare do all that may become a man. / Who dares do more is none" (1.7.51-52).  In other words, he insists that he is really a man, despite what she's said.  Her implication, though, is that men should be strong and ruthless, that they should keep their promises no matter the danger, and that they be ambitious and willing to follow their ambition.


Near the end of this exchange, Macbeth tells his wife to "Bring forth men-children only, / For thy undaunted mettle should compose / Nothing but males" (1.7.83-85).  By this, we can understand that Lady Macbeth's recent behavior has been much more aligned with what is expected of men rather than women.  She has been domineering rather than submissive, ruthless rather than compassionate, insulting to him rather than comforting.  Lady Macbeth has manipulated her husband, and he knows it.  Women of their time are not supposed to behave in such a manner.

Comments

Popular posts from this blog

What is hyperbole in the story "The Gift of the Magi" by O. Henry?

The most obvious use of hyperbole in "The Gift of the Magi" occurs when the narrator describes Della's and Jim's evaluations of their two treasures—her long, luxuriant hair and his gold watch. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his... The most obvious use of hyperbole in "The Gift of the Magi" occurs when the narrator describes Della's and Jim's evaluations of their two treasures—her long, luxuriant hair and his gold watch. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him plu

What are some literary devices in Macbeth, Act V, Scene 1?

Act V, Scene i of Macbeth certainly continues the imagery that is prevalent in the play with its phantasmagoric realm, as in this scene a succession of things are seen or imagined by Lady Macbeth. Imagery - The representation of sensory experience Lady Macbeth imagines that she sees bloody spots (visual imagery) on the stairs; she also smells blood (olfactory imagery): Here's the smell of the blood still. All the perfumes of Arabia will not... Act V, Scene i of Macbeth certainly continues the imagery that is prevalent in the play with its phantasmagoric realm, as in this scene a succession of things are seen or imagined by Lady Macbeth. Imagery - The representation of sensory experience Lady Macbeth imagines that she sees bloody spots (visual imagery) on the stairs; she also smells blood (olfactory imagery): Here's the smell of the blood still. All the perfumes of Arabia will not sweeten this little hand. Oh! oh, oh! (5.1.53-55) Hyperbole - Obvious exaggeration  There is also h

Examine the boy’s “interior monologues,” the italicized parts of the story in "Barn Burning." What do these parts tell us about the boy,...

With the italicized sections of "Barn Burning," Faulkner is using a Modernist style of narration called perspectivism. In this style, the narrator is omniscient only in regard to one character, at least for a given part of the story where the technique is used. Thus the action of "Barn Burning" is experienced through the boy Sarty's perspective, and events are interpreted through the way he perceives them. The italicized portions of the story take us deep into Sarty's psyche and usually give words to either the conflicts he is experiencing or the hopes he has for resolving those conflicts. As the story opens and Abner Snopes appears before a Justice for burning a barn, Sarty's thoughts voice his loyalty to his father, but the intensity of their expression indicate that the loyalty requires effort on Sarty's part. As they ride away in their wagon, Sarty begins to hope: "Maybe he's done satisfied now, now that he has..." As yet he cannot