Skip to main content

How does time affect the progression of the feud in Romeo and Juliet?

Time affects the progression of the feud in Romeo and Julietin two major ways. First, the passage of time renders the feud almost mythological in proportion; although the Capulets and Montagues continue to hate each other, neither family remembers how or why the feud began. The feud started so long ago that neither family can recall its origins and simply perpetuate the feud out of ego. It is a spiteful and violent tradition that...

Time affects the progression of the feud in Romeo and Juliet in two major ways. First, the passage of time renders the feud almost mythological in proportion; although the Capulets and Montagues continue to hate each other, neither family remembers how or why the feud began. The feud started so long ago that neither family can recall its origins and simply perpetuate the feud out of ego. It is a spiteful and violent tradition that is way out of hand.


Second, time has created a continued escalation in the gravity of the feud itself, as the warring factions' attacks and acts of retaliation continue to worsen. The play itself begins with two Capulet men antagonizing a group of Montagues, which leads to an all-out brawl. The families are fighting over the unknown hurt between them, and, it seems, just for the sake of fighting. This approach is circular, self-defeating, and dangerous.


Overall, time has evolved this rivalry into mayhem while preventing the two families involved from recalling the rivalry's source; as a result, the relationship between the Capulets and Montagues ripens into an increasingly chaotic, violent, and unstable pattern of offensive and defensive lashes. This pattern ultimately leads to the tragic death of the story's protagonists and the wild grief of their loved ones.

Comments

Popular posts from this blog

What is hyperbole in the story "The Gift of the Magi" by O. Henry?

The most obvious use of hyperbole in "The Gift of the Magi" occurs when the narrator describes Della's and Jim's evaluations of their two treasures—her long, luxuriant hair and his gold watch. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his... The most obvious use of hyperbole in "The Gift of the Magi" occurs when the narrator describes Della's and Jim's evaluations of their two treasures—her long, luxuriant hair and his gold watch. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him plu

How can I analyze Moon and Six Pence by Somerset Maugham?

In "Moon and Sixpence," loosely based on the life of Paul Gaugin, Maugham presents a study of the tension between the "civilized" life of 19th century Europe, and the lead character's desire to throw off the shackles of bourgeois life. Charles Strickland is a middle-aged English stockbroker with a wife and family. By abandoning his domestic life, Strickland commits what many in European society would consider a gross betrayal of one of the foundations of... In "Moon and Sixpence," loosely based on the life of Paul Gaugin, Maugham presents a study of the tension between the "civilized" life of 19th century Europe, and the lead character's desire to throw off the shackles of bourgeois life. Charles Strickland is a middle-aged English stockbroker with a wife and family. By abandoning his domestic life, Strickland commits what many in European society would consider a gross betrayal of one of the foundations of that society. His decision to e

What are some literary devices in Macbeth, Act V, Scene 1?

Act V, Scene i of Macbeth certainly continues the imagery that is prevalent in the play with its phantasmagoric realm, as in this scene a succession of things are seen or imagined by Lady Macbeth. Imagery - The representation of sensory experience Lady Macbeth imagines that she sees bloody spots (visual imagery) on the stairs; she also smells blood (olfactory imagery): Here's the smell of the blood still. All the perfumes of Arabia will not... Act V, Scene i of Macbeth certainly continues the imagery that is prevalent in the play with its phantasmagoric realm, as in this scene a succession of things are seen or imagined by Lady Macbeth. Imagery - The representation of sensory experience Lady Macbeth imagines that she sees bloody spots (visual imagery) on the stairs; she also smells blood (olfactory imagery): Here's the smell of the blood still. All the perfumes of Arabia will not sweeten this little hand. Oh! oh, oh! (5.1.53-55) Hyperbole - Obvious exaggeration  There is also h