Skip to main content

How does Romeo say his love for Juliet differs from his love for Rosaline?

After the night of the party at the Capulets' house and Romeo and Juliet's faithful vows of love to one another in the balcony scene, Romeo goes to Friar Lawrence's cell to acquaint his friend and spiritual guide of the developments in his love life and to make marriage arrangements for later that day. When the Friar chastises Romeo for switching his object of love so quickly, Romeo tells Friar Lawrence, "Her I love now...

After the night of the party at the Capulets' house and Romeo and Juliet's faithful vows of love to one another in the balcony scene, Romeo goes to Friar Lawrence's cell to acquaint his friend and spiritual guide of the developments in his love life and to make marriage arrangements for later that day. When the Friar chastises Romeo for switching his object of love so quickly, Romeo tells Friar Lawrence, "Her I love now / Doth grace for grace and love for love allow. / The other did not so" (II.3.85-87). In other words, one of the biggest ways in which Romeo's love for Juliet differs from his love for Rosaline is that Juliet actually returns his affections, while Rosaline did not. Romeo also says that "[her heart] is set on [his], / And all combined, save what [the Friar] must combine / By holy marriage" (II.3.63-65). Romeo feels he and Juliet are basically already combined in every way that they can be without being married; it only remains for Friar Lawrence to marry them so their commitment can be official.  

Comments

Popular posts from this blog

What is hyperbole in the story "The Gift of the Magi" by O. Henry?

The most obvious use of hyperbole in "The Gift of the Magi" occurs when the narrator describes Della's and Jim's evaluations of their two treasures—her long, luxuriant hair and his gold watch. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his... The most obvious use of hyperbole in "The Gift of the Magi" occurs when the narrator describes Della's and Jim's evaluations of their two treasures—her long, luxuriant hair and his gold watch. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him plu

How can I analyze Moon and Six Pence by Somerset Maugham?

In "Moon and Sixpence," loosely based on the life of Paul Gaugin, Maugham presents a study of the tension between the "civilized" life of 19th century Europe, and the lead character's desire to throw off the shackles of bourgeois life. Charles Strickland is a middle-aged English stockbroker with a wife and family. By abandoning his domestic life, Strickland commits what many in European society would consider a gross betrayal of one of the foundations of... In "Moon and Sixpence," loosely based on the life of Paul Gaugin, Maugham presents a study of the tension between the "civilized" life of 19th century Europe, and the lead character's desire to throw off the shackles of bourgeois life. Charles Strickland is a middle-aged English stockbroker with a wife and family. By abandoning his domestic life, Strickland commits what many in European society would consider a gross betrayal of one of the foundations of that society. His decision to e

What are some literary devices in Macbeth, Act V, Scene 1?

Act V, Scene i of Macbeth certainly continues the imagery that is prevalent in the play with its phantasmagoric realm, as in this scene a succession of things are seen or imagined by Lady Macbeth. Imagery - The representation of sensory experience Lady Macbeth imagines that she sees bloody spots (visual imagery) on the stairs; she also smells blood (olfactory imagery): Here's the smell of the blood still. All the perfumes of Arabia will not... Act V, Scene i of Macbeth certainly continues the imagery that is prevalent in the play with its phantasmagoric realm, as in this scene a succession of things are seen or imagined by Lady Macbeth. Imagery - The representation of sensory experience Lady Macbeth imagines that she sees bloody spots (visual imagery) on the stairs; she also smells blood (olfactory imagery): Here's the smell of the blood still. All the perfumes of Arabia will not sweeten this little hand. Oh! oh, oh! (5.1.53-55) Hyperbole - Obvious exaggeration  There is also h