Skip to main content

What are main events in D. H. Lawrence's story "The Rocking-Horse Winner"?

All main events in a story will pertain to the exposition, rising action, climax, falling action, and resolution. The exposition generally occurs at the start of the story and concerns the moments the author introduces the setting, characters, and conflict. One of the most important events in D. H. Lawrence's exposition that sets up the conflict of "The Rocking-Horse Winner" is the narrator's description of the children and all their toys hearing echoing through the...

All main events in a story will pertain to the exposition, rising action, climax, falling action, and resolution.

The exposition generally occurs at the start of the story and concerns the moments the author introduces the setting, characters, and conflict. One of the most important events in D. H. Lawrence's exposition that sets up the conflict of "The Rocking-Horse Winner" is the narrator's description of the children and all their toys hearing echoing through the house the "unspoken phrase: There must be more money! There must be more money!" A second major event that is part of the exposition is the moment Paul has a conversation with his mother about why their family doesn't have enough money and what luck is. It is at this point in the story that Paul decides he himself is lucky and will be able to find luck; he decides his rocking-horse will be able to take him to where luck is, a decision that helps lead to the climax and resolution of the story.

Rising action concerns all events leading up to the climax of a story. One of the most important moments of rising action is when Uncle Oscar finds out from Paul that Paul is working as partners with the gardener Bassett to place bets on the winning horses of races. A second important moment of rising action is when Paul arranges for his mother to receive an annual birthday gift of one thousand pounds for five years, but to his disappointment, she is not as happy about the gift as he had expected her to be. Instead, she demands of the lawyer to have all five thousand pounds at once, and Paul begins to hear the house scream:



There must be more money! Oh-h-h; there must be more money. Oh, now, now-w! Now-w-w--there must be more money!--more than ever! More than ever!



It is his mother's frenzied response to receiving a monetary gift that most helps drive the story to its climax.

The climax of any story is the turning point of the story; the moment rising action becomes falling action. It can also be the most emotionally intense moment of the story. The climax begins to develop the more Paul becomes obsessed with being certain of the winner of the Derby. The climax occurs at full force when his mother leaves a party, worried about Paul, and opens his bedroom door to find him furiously riding his rocking-horse.

Falling action refers to all events leading up to the resolution. Moments of falling action include Paul having made himself ill with "some brain-fever" and winning over 80,000 pounds at the Derby for his bet on Malabar. The resolution sadly occurs when Paul dies, leaving his mother to feel responsible for his death due to her obsession with luck and money.

Comments

Popular posts from this blog

What are some external and internal conflicts that Montag has in Fahrenheit 451?

 Montag, the protagonist of Fahrenheit 451, faces both external and internal conflicts throughout the novel. Some examples of these conflicts are: External Conflicts: Conflict with the society: Montag lives in a society that prohibits books and critical thinking. He faces opposition from the government and the people who enforce this law. Montag struggles to come to terms with the fact that his society is based on censorship and control. Conflict with his wife: Montag's wife, Mildred, is completely absorbed in the shallow and meaningless entertainment provided by the government. Montag's growing dissatisfaction with his marriage adds to his external conflict. Conflict with the fire captain: Montag's superior, Captain Beatty, is the personification of the oppressive regime that Montag is fighting against. Montag's struggle against Beatty represents his external conflict with the government. Internal Conflicts: Conflict with his own beliefs: Montag, at the beginning of th...

In A People's History of the United States, why does Howard Zinn feel that Wilson made a flimsy argument for entering World War I?

"War is the health of the state," the radical writer Randolph Bourne said, in the midst of the First World War. Indeed, as the nations of Europe went to war in 1914, the governments flourished, patriotism bloomed, class struggle was stilled, and young men died in frightful numbers on the battlefields-often for a hundred yards of land, a line of trenches. -- Chapter 14, Page 350, A People's History of the United States Howard Zinn outlines his arguments for why World War I was fought in the opening paragraph of Chapter 14 (referenced above). The nationalism that was created by the Great War benefited the elite political and financial leadership of the various countries involved. Socialism, which was gaining momentum in Europe, as was class struggle, took a backseat to mobilizing for war. Zinn believes that World War I was fought for the gain of the industrial capitalists of Europe in a competition for capital and resources. He states that humanity itself was punished by t...

Where did Atticus take the light and extension cord in To Kill a Mockingbird?

Atticus brings the light to the courthouse jail so that he can protect Tom Robinson.  Atticus learns that Tom Robinson, his client, is in danger.  A group of white men want to prevent the trial and lynch Robinson. He is warned by a small group of men that appear at his house.  He refuses to back down.  Atticus knows that the Cunninghams will target his client, so he plans to sit up all night with... Atticus brings the light to the courthouse jail so that he can protect Tom Robinson.  Atticus learns that Tom Robinson, his client, is in danger.  A group of white men want to prevent the trial and lynch Robinson. He is warned by a small group of men that appear at his house.  He refuses to back down.  Atticus knows that the Cunninghams will target his client, so he plans to sit up all night with Jim if that’s what it takes to protect him.  Atticus tells the men that he will make sure his client gets his fair shake at the law.  “Link, that boy might go to the chair, but he’s not going till ...