Skip to main content

What does the author tell the reader in his narration that makes Framton Nuttle appear silly and pathetic in "The Open Window"?

Throughout the narration of "The Open Window," Framton Nuttel is depicted as silly and rather pathetic in his efforts to endeavor to "duly flatter" one person while not "unduly discounting" another who is yet to appear, as well as in his terrified reactions to the fabricated tale of Vera.


Anxious and nervous as he talks with Mrs. Sappleton's niece, Framton Nuttel wonders whether Mrs. Sappleton will be "in the nice division." Further, he questions to...

Throughout the narration of "The Open Window," Framton Nuttel is depicted as silly and rather pathetic in his efforts to endeavor to "duly flatter" one person while not "unduly discounting" another who is yet to appear, as well as in his terrified reactions to the fabricated tale of Vera.


Anxious and nervous as he talks with Mrs. Sappleton's niece, Framton Nuttel wonders whether Mrs. Sappleton will be "in the nice division." Further, he questions to himself whether or not this visit to the Sappleton's in the country will help him with his "nerve cure" which he is supposed to be experiencing. Clearly, in this part of the story, Framton seems more the child than Vera, the niece of Mrs. Sappleton, who has been sent into the room to talk with him until she is ready.


After Vera begins her narration of the supposedly tragic events that have occurred in the Sappleton family, she then breaks off "with a little shudder." Framton feels relief seeing Mrs. Sappleton finally enter the room. As she "rattles on" cheerfully, Framton relaxes. Believing that



...total strangers and chance acquaintances are hungry for the least detail of one's ailments and infirmities, their cause and cure



the nervous little man unloads his medical history to the uneasiness and boredom of his listeners. When Mrs. Sappleton gladly announces that the men have returned from their outing, unaware of the tale Vera has concocted, Framton shivers and feels "a shock of nameless fear." He quickly grabs his stick and hat and makes a "headlong retreat" across the hall, the gravel drive, and even the front gate. "A cyclist coming along...had to run into the hedge to avoid imminent collision." 


Framton Nuttel is a pathetic character; he is so tremulous that he cannot relax. Then, when Vera plays her practical joke upon him, he flees in terror.

Comments

Popular posts from this blog

What is the meaning of "juggling fiends" in Macbeth?

Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a... Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a sense of guilt, and that man tells him: Despair thy charm. And let the angel whom thou still hast serve...

Why did Tybalt attack and kill Mercutio instead of Romeo, who he had originally been targeting?

Though Tybalt's quarrel is with Romeo, he begins the momentous duel in Act 3 by fighting with and killing Mercutio instead. Tybalt ultimately attacks Mercutio because the garrulous and hot-headed character insults Tybalt and goads him into a duel to protect Romeo's honor. From the beginning of the encounter in Act 3, Scene 1, it's clear that Mercutio is itching for a fight. For instance, when Tybalt signals that he wants to talk to Mercutio... Though Tybalt's quarrel is with Romeo, he begins the momentous duel in Act 3 by fighting with and killing Mercutio instead. Tybalt ultimately attacks Mercutio because the garrulous and hot-headed character insults Tybalt and goads him into a duel to protect Romeo's honor. From the beginning of the encounter in Act 3, Scene 1, it's clear that Mercutio is itching for a fight. For instance, when Tybalt signals that he wants to talk to Mercutio and Benvolio, Mercutio responds "And but one word with one of us?/ Couple it w...

Follow the relationship between Pi and Richard Parker. They endure over two hundred days of hardship together, but in the end Richard Parker leaves...

When Pi and Richard Parker are at the beginning of their journey, after Pi's family is killed in the shipwreck, Pi fears Richard Parker, but he is forced to find a way to co-exist with him in order to survive.  Over time the two develop a somewhat co-dependent relationship.  Richard Parker depends on Pi to feed him by catching fish, while Pi's will to live is bolstered by Richard Parker's presence.  Richard Parker recognizes that... When Pi and Richard Parker are at the beginning of their journey, after Pi's family is killed in the shipwreck, Pi fears Richard Parker, but he is forced to find a way to co-exist with him in order to survive.  Over time the two develop a somewhat co-dependent relationship.  Richard Parker depends on Pi to feed him by catching fish, while Pi's will to live is bolstered by Richard Parker's presence.  Richard Parker recognizes that he also needs Pi to survive.  At one point in the book, Pi's starvation and thirst reduce him to a st...