Skip to main content

In "Odour of Chrysanthemums," Walter's death touches off a big epiphany for Elizabeth, who suddenly realizes that the life she was living is a big...


When Walter dies in "Odour of Chrysanthemums," Elizabeth realizes in the end that she has shared nothing with her husband. She thinks, "And she knew what a stranger he was to her. In her womb was ice of fear, because of this separate stranger with whom she had been living as one flesh." While she has had two children with her husband and is pregnant with another, she realizes that she has never truly known him.


After having this epiphany, Elizabeth will likely go on to lead a more authentic life. She thinks, "She had refused him as himself.—And this had been her life, and his life.—She was grateful to death, which restored the truth. And she knew she was not dead." In other words, she had never accepted her husband for who he was, and she will be more likely to accept others as they really are in the future. However, as she will have three children to raise on her own, she may dedicate herself to that task rather than looking for a relationship. The character of Elizabeth is still relevant today, as many people get into relationships with people they do not really know as people and continue to conduct these relationships as virtual strangers to each other.


The following quotes show anger and resentment in the story:



“No,” she said, “not to me. It was chrysanthemums when I married him, and chrysanthemums when you were born, and the first time they ever brought him home drunk, he’d got brown chrysanthemums in his button-hole.”




“It is a scandalous thing as a man can’t even come home to his dinner! If it’s crozzled up to a cinder I don’t see why I should care. Past his very door he goes to get to a public-house, and here I sit with his dinner waiting for him—”







"Her heart burst with anger at their father who caused all three such distress. The children hid their faces in her skirts for comfort."



This story shows Elizabeth's regrets about her life, while D. H. Lawrence advocates a life of no regrets. He advocates the kind of life in which unions are based on intimacy, while Elizabeth only had physical but not psychological intimacy with her husband. Lawrence advocates being "fully alive," in a way Elizabeth never has been, as her marriage has been a union of strangers in which she felt spiritually dead.




Comments

Popular posts from this blog

What is hyperbole in the story "The Gift of the Magi" by O. Henry?

The most obvious use of hyperbole in "The Gift of the Magi" occurs when the narrator describes Della's and Jim's evaluations of their two treasures—her long, luxuriant hair and his gold watch. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his... The most obvious use of hyperbole in "The Gift of the Magi" occurs when the narrator describes Della's and Jim's evaluations of their two treasures—her long, luxuriant hair and his gold watch. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him plu

How can I analyze Moon and Six Pence by Somerset Maugham?

In "Moon and Sixpence," loosely based on the life of Paul Gaugin, Maugham presents a study of the tension between the "civilized" life of 19th century Europe, and the lead character's desire to throw off the shackles of bourgeois life. Charles Strickland is a middle-aged English stockbroker with a wife and family. By abandoning his domestic life, Strickland commits what many in European society would consider a gross betrayal of one of the foundations of... In "Moon and Sixpence," loosely based on the life of Paul Gaugin, Maugham presents a study of the tension between the "civilized" life of 19th century Europe, and the lead character's desire to throw off the shackles of bourgeois life. Charles Strickland is a middle-aged English stockbroker with a wife and family. By abandoning his domestic life, Strickland commits what many in European society would consider a gross betrayal of one of the foundations of that society. His decision to e

What are some literary devices in Macbeth, Act V, Scene 1?

Act V, Scene i of Macbeth certainly continues the imagery that is prevalent in the play with its phantasmagoric realm, as in this scene a succession of things are seen or imagined by Lady Macbeth. Imagery - The representation of sensory experience Lady Macbeth imagines that she sees bloody spots (visual imagery) on the stairs; she also smells blood (olfactory imagery): Here's the smell of the blood still. All the perfumes of Arabia will not... Act V, Scene i of Macbeth certainly continues the imagery that is prevalent in the play with its phantasmagoric realm, as in this scene a succession of things are seen or imagined by Lady Macbeth. Imagery - The representation of sensory experience Lady Macbeth imagines that she sees bloody spots (visual imagery) on the stairs; she also smells blood (olfactory imagery): Here's the smell of the blood still. All the perfumes of Arabia will not sweeten this little hand. Oh! oh, oh! (5.1.53-55) Hyperbole - Obvious exaggeration  There is also h