Skip to main content

Did Shakespeare create a believable love in Romeo and Juliet?

I believe he did, yes, for a few reasons.  First, Romeo and Juliet are both so young; we know Juliet is thirteen, and though we do not know Romeo's exact age, most readers assume that he is also a teenager due to his behavior.  Teenagers have a tendency to feel things really, incredibly deeply, and so Shakespeare's representation of their love as intensely passionate and overwhelming feels very true to life.  Teenagers also have a...

I believe he did, yes, for a few reasons.  First, Romeo and Juliet are both so young; we know Juliet is thirteen, and though we do not know Romeo's exact age, most readers assume that he is also a teenager due to his behavior.  Teenagers have a tendency to feel things really, incredibly deeply, and so Shakespeare's representation of their love as intensely passionate and overwhelming feels very true to life.  Teenagers also have a tendency to lack perspective needed to see that the way they feel today isn't necessarily the way they will feel next week or next year, and everything often feels very immediate and urgent. 


Further, Romeo and Juliet believe that their parents would oppose their match; they talk a lot about the danger Romeo would be in, especially, if he were found in Juliet's garden or bedroom.  It is developmentally appropriate for teenagers to rebel against their parents and to do things to which they believe their parents would object.  Therefore, Romeo and Juliet's intense feelings and their drive to pursue those feelings at all costs, despite anticipating their parents' disapproval, seems very realistic and believable.

Comments

Popular posts from this blog

What is the meaning of "juggling fiends" in Macbeth?

Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a... Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a sense of guilt, and that man tells him: Despair thy charm. And let the angel whom thou still hast serve...

In Martel's Life of Pi, how does writing a diary help Pi Patel build on his leadership skills?

At the end of chapter 73, Pi first divulges the fact that he had started a diary after about a week alone at sea. Pi claims that he wrote about "practical stuff" (208) such as what he caught for food, foreseeable problems and solutions, Richard Parker, and reflections about specific events that occurred. In a sense, Pi is the captain of his ship; therefore, he must take responsibility for himself and his crew. He can... At the end of chapter 73, Pi first divulges the fact that he had started a diary after about a week alone at sea. Pi claims that he wrote about "practical stuff" (208) such as what he caught for food, foreseeable problems and solutions, Richard Parker, and reflections about specific events that occurred. In a sense, Pi is the captain of his ship; therefore, he must take responsibility for himself and his crew. He can do this by writing down events, problems and solutions, and reflections to look back on when confronted with repeated problems. It can ...

Why did Tybalt attack and kill Mercutio instead of Romeo, who he had originally been targeting?

Though Tybalt's quarrel is with Romeo, he begins the momentous duel in Act 3 by fighting with and killing Mercutio instead. Tybalt ultimately attacks Mercutio because the garrulous and hot-headed character insults Tybalt and goads him into a duel to protect Romeo's honor. From the beginning of the encounter in Act 3, Scene 1, it's clear that Mercutio is itching for a fight. For instance, when Tybalt signals that he wants to talk to Mercutio... Though Tybalt's quarrel is with Romeo, he begins the momentous duel in Act 3 by fighting with and killing Mercutio instead. Tybalt ultimately attacks Mercutio because the garrulous and hot-headed character insults Tybalt and goads him into a duel to protect Romeo's honor. From the beginning of the encounter in Act 3, Scene 1, it's clear that Mercutio is itching for a fight. For instance, when Tybalt signals that he wants to talk to Mercutio and Benvolio, Mercutio responds "And but one word with one of us?/ Couple it w...