Skip to main content

How did the Italian Renaissance end?

The Renaissance (the word means “rebirth”) is generally understood to have started during the 14th century and lasted until the mid-16th century.  This marked the transition between the Medieval or Dark Ages to Early Modern Europe.  It was exemplified by a renewed interest in the arts, science, and philosophy. 

During the flowering of the Italian Renaissance, however, there were a number of catastrophes that contributed to its demise.


A change in climate resulted in harsh winters and the decline of agriculture; this led to repeated famines and shortages. On the heels of a previous swell in the population, these shortages exacerbated the food problem.


Trade throughout northwest Europe was disrupted by the Hundred Years’ War between England and France, and the expansion of the Ottoman Empire.  When King Edward III of England refused to pay his debts, this had a ripple effect that caused the two largest Florentine banks (Bardi and Peruzzi) to collapse.  


The Black Death was wiping out inhabitants in densely populated Northern Italian cities and it kept returning. As with any major health crises in a city, disorder and pandemonium resulted.  It is believed that the Black Death reduced Europe’s population by one third.


As the population saw that the Church was at a loss to provide relief or succor during the Black Death, this had a hand in the decline of church influence.


There is a school of thought that espouses that the rise to power in Florence of Girolamo Savonarola marked the end of the city’s flourishing. For others, it is the return of the Medici.  Some say the end of the Renaissance was hastened by French invasions of the early 16th century, and then the battle between France's and Spain's rulers for control of Italian territory.


It is notable that during the time of Savonarola’s rise to power a backlash towards the permissive atmosphere of the Renaissance caused many works of art to be destroyed; an Inquisition was formed, and there was a prohibition and ban on many Renaissance works of literature. This prohibition saw the end of the illuminated manuscript.


The Italian Wars, when the northern states were invaded by France (1494), ended independence for many of the city-states.  With the sacking of Rome (1527) by the Spanish and German, the role of the Papacy (as the largest patron of Renaissance art and architecture) all but ended.  Then there was war between Florence and Milan; at sea, there were battles between Pisa, Genoa and Venice.


There was the matter of trade. The way to India had been opened by Vasco da Gama (1498), and the discovery of the New World shifted trade routes away from Italy and the Mediterranean and toward Portugal and Europe’s west coast; this decreased Italian income.


Equally important was that the resurgence of art, science and literacy engendered an educated class, and this class questioned the teachings of the Church. As much of the Renaissance was powered by the Church’s wealth, when the educated class (the wealthy and the nobles) began to turn a deaf ear, the Church contributed less to fund art.

Comments

Popular posts from this blog

What is hyperbole in the story "The Gift of the Magi" by O. Henry?

The most obvious use of hyperbole in "The Gift of the Magi" occurs when the narrator describes Della's and Jim's evaluations of their two treasures—her long, luxuriant hair and his gold watch. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his... The most obvious use of hyperbole in "The Gift of the Magi" occurs when the narrator describes Della's and Jim's evaluations of their two treasures—her long, luxuriant hair and his gold watch. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him plu

How can I analyze Moon and Six Pence by Somerset Maugham?

In "Moon and Sixpence," loosely based on the life of Paul Gaugin, Maugham presents a study of the tension between the "civilized" life of 19th century Europe, and the lead character's desire to throw off the shackles of bourgeois life. Charles Strickland is a middle-aged English stockbroker with a wife and family. By abandoning his domestic life, Strickland commits what many in European society would consider a gross betrayal of one of the foundations of... In "Moon and Sixpence," loosely based on the life of Paul Gaugin, Maugham presents a study of the tension between the "civilized" life of 19th century Europe, and the lead character's desire to throw off the shackles of bourgeois life. Charles Strickland is a middle-aged English stockbroker with a wife and family. By abandoning his domestic life, Strickland commits what many in European society would consider a gross betrayal of one of the foundations of that society. His decision to e

What are some literary devices in Macbeth, Act V, Scene 1?

Act V, Scene i of Macbeth certainly continues the imagery that is prevalent in the play with its phantasmagoric realm, as in this scene a succession of things are seen or imagined by Lady Macbeth. Imagery - The representation of sensory experience Lady Macbeth imagines that she sees bloody spots (visual imagery) on the stairs; she also smells blood (olfactory imagery): Here's the smell of the blood still. All the perfumes of Arabia will not... Act V, Scene i of Macbeth certainly continues the imagery that is prevalent in the play with its phantasmagoric realm, as in this scene a succession of things are seen or imagined by Lady Macbeth. Imagery - The representation of sensory experience Lady Macbeth imagines that she sees bloody spots (visual imagery) on the stairs; she also smells blood (olfactory imagery): Here's the smell of the blood still. All the perfumes of Arabia will not sweeten this little hand. Oh! oh, oh! (5.1.53-55) Hyperbole - Obvious exaggeration  There is also h