Skip to main content

What are some literary devices in Macbeth, Act V, Scene 1?

Act V, Scene i of Macbeth certainly continues the imagery that is prevalent in the play with its phantasmagoric realm, as in this scene a succession of things are seen or imagined by Lady Macbeth.


  • Imagery - The representation of sensory experience

Lady Macbeth imagines that she sees bloody spots (visual imagery) on the stairs; she also smells blood (olfactory imagery):


Here's the smell of the blood still. All the perfumes of Arabia will not...

Act V, Scene i of Macbeth certainly continues the imagery that is prevalent in the play with its phantasmagoric realm, as in this scene a succession of things are seen or imagined by Lady Macbeth.


  • Imagery - The representation of sensory experience

Lady Macbeth imagines that she sees bloody spots (visual imagery) on the stairs; she also smells blood (olfactory imagery):



Here's the smell of the blood still. All the perfumes of Arabia will not sweeten this little hand. Oh! oh, oh! (5.1.53-55)



  • Hyperbole - Obvious exaggeration 

There is also hyperbole in the above lines, since saying that all the Arabian perfumes cannot erase the smell is a rather apparent exaggeration.


  • Repetition - The repeated use of words, phrases, or sentences

There is the repeated use of "Oh" in the passage above in line 55; Lady Macbeth also repeats her words in this passage:



To bed, to bed!....Come, come, come, come, come, give me your hand!....To bed, to bed, to bed. (5.1.45-47)



  • Synedoche - The use of a part for the whole

"What will these hands ne'er be clean?" (5.1.31). Lady Macbeth's hands are used to mean her soul, her conscience.


  • Metonymy - The use of something closely related for the thing actually meant

The physician observes that Lady Macbeth's "heart is sorely / charged" (5.1. 56-57). Lady Macbeth's heart represents her conscience that is burdened with guilt for the things that she has seen and known.


  • Personification - The attribution of the qualities of a person to inanimate things

Pillows are given the ability to hear in these lines: "Infected minds / To their deaf pillows will discharge their secrets" (5.1.76-77).


  • Parallelism - The repetition of a grammatical pattern

"...Unnatural deeds / Do breed unnatural troubles" (5.1.49-50).


  •  Assonance - The repetition of vowel sounds
    (the short vowel sound of /o/)

To bed, to bed!....
...Come, come, come, come, give me your hand!
What's done cannot be undone. To bed, to bed, to bed!

Comments

Popular posts from this blog

What is the meaning of "juggling fiends" in Macbeth?

Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a... Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a sense of guilt, and that man tells him: Despair thy charm. And let the angel whom thou still hast serve...

In Martel's Life of Pi, how does writing a diary help Pi Patel build on his leadership skills?

At the end of chapter 73, Pi first divulges the fact that he had started a diary after about a week alone at sea. Pi claims that he wrote about "practical stuff" (208) such as what he caught for food, foreseeable problems and solutions, Richard Parker, and reflections about specific events that occurred. In a sense, Pi is the captain of his ship; therefore, he must take responsibility for himself and his crew. He can... At the end of chapter 73, Pi first divulges the fact that he had started a diary after about a week alone at sea. Pi claims that he wrote about "practical stuff" (208) such as what he caught for food, foreseeable problems and solutions, Richard Parker, and reflections about specific events that occurred. In a sense, Pi is the captain of his ship; therefore, he must take responsibility for himself and his crew. He can do this by writing down events, problems and solutions, and reflections to look back on when confronted with repeated problems. It can ...

Why did Tybalt attack and kill Mercutio instead of Romeo, who he had originally been targeting?

Though Tybalt's quarrel is with Romeo, he begins the momentous duel in Act 3 by fighting with and killing Mercutio instead. Tybalt ultimately attacks Mercutio because the garrulous and hot-headed character insults Tybalt and goads him into a duel to protect Romeo's honor. From the beginning of the encounter in Act 3, Scene 1, it's clear that Mercutio is itching for a fight. For instance, when Tybalt signals that he wants to talk to Mercutio... Though Tybalt's quarrel is with Romeo, he begins the momentous duel in Act 3 by fighting with and killing Mercutio instead. Tybalt ultimately attacks Mercutio because the garrulous and hot-headed character insults Tybalt and goads him into a duel to protect Romeo's honor. From the beginning of the encounter in Act 3, Scene 1, it's clear that Mercutio is itching for a fight. For instance, when Tybalt signals that he wants to talk to Mercutio and Benvolio, Mercutio responds "And but one word with one of us?/ Couple it w...