Skip to main content

In Chapter 16 of The Giver, how does the author show the growth of Jonas through color and feelings?

At this point, Jonas is beginning to be overwhelmed by the memories.  After growing up with no feelings and in a world where everything is completely controlled, the full experience of emotions is almost too much for him.  The addition of painful memories in particular makes it difficult to accept. 


Jonas did not want to go back. He didn't want the memories, didn't want the honor, didn't want the wisdom, didn't want the pain. He...

At this point, Jonas is beginning to be overwhelmed by the memories.  After growing up with no feelings and in a world where everything is completely controlled, the full experience of emotions is almost too much for him.  The addition of painful memories in particular makes it difficult to accept. 



Jonas did not want to go back. He didn't want the memories, didn't want the honor, didn't want the wisdom, didn't want the pain. He wanted his childhood again, his scraped knees and ball games. (Ch. 16) 



Jonas does experience some good memories though. He continues to compare his world to the world of the memories.  He asks The Giver which memory is his favorite, and he is shown a memory of grandparents and family.  The emotion in the memory is one he has never experienced.  In his community, there is no such thing as family in this sense.  There are no grandparents, and children have no connection with the people who act as their parents once they are old enough to be on their own. 



Jonas hesitated. "I certainly liked the memory, though. I can see why it's your favorite. I couldn't quite get the word for the whole feeling of it, the feeling that was so strong in the room."


"Love," The Giver told him. (Ch. 16) 



Jonas thinks that this way of living, with attachments, is more dangerous, but also more complete.  He realizes he prefers it.  His parents have no idea what love is.  They chide him when he asks if they love him.  They tell him he has used an antiquated word with no meaning.  He knows better though.  He realizes that there is way more to the human experience than their community knows. 


Through the memories and colors, Jonas gets to be a real, whole human being.  This can be painful, but it is more meaningful.  He understands that his parents and sister, and everyone else in the community, will never experience love.  There is something wrong about that.  A life of color and emotion may be a more dangerous way to live, but it is a better way.

Comments

Popular posts from this blog

What is hyperbole in the story "The Gift of the Magi" by O. Henry?

The most obvious use of hyperbole in "The Gift of the Magi" occurs when the narrator describes Della's and Jim's evaluations of their two treasures—her long, luxuriant hair and his gold watch. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his... The most obvious use of hyperbole in "The Gift of the Magi" occurs when the narrator describes Della's and Jim's evaluations of their two treasures—her long, luxuriant hair and his gold watch. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him plu

How can I analyze Moon and Six Pence by Somerset Maugham?

In "Moon and Sixpence," loosely based on the life of Paul Gaugin, Maugham presents a study of the tension between the "civilized" life of 19th century Europe, and the lead character's desire to throw off the shackles of bourgeois life. Charles Strickland is a middle-aged English stockbroker with a wife and family. By abandoning his domestic life, Strickland commits what many in European society would consider a gross betrayal of one of the foundations of... In "Moon and Sixpence," loosely based on the life of Paul Gaugin, Maugham presents a study of the tension between the "civilized" life of 19th century Europe, and the lead character's desire to throw off the shackles of bourgeois life. Charles Strickland is a middle-aged English stockbroker with a wife and family. By abandoning his domestic life, Strickland commits what many in European society would consider a gross betrayal of one of the foundations of that society. His decision to e

What are some literary devices in Macbeth, Act V, Scene 1?

Act V, Scene i of Macbeth certainly continues the imagery that is prevalent in the play with its phantasmagoric realm, as in this scene a succession of things are seen or imagined by Lady Macbeth. Imagery - The representation of sensory experience Lady Macbeth imagines that she sees bloody spots (visual imagery) on the stairs; she also smells blood (olfactory imagery): Here's the smell of the blood still. All the perfumes of Arabia will not... Act V, Scene i of Macbeth certainly continues the imagery that is prevalent in the play with its phantasmagoric realm, as in this scene a succession of things are seen or imagined by Lady Macbeth. Imagery - The representation of sensory experience Lady Macbeth imagines that she sees bloody spots (visual imagery) on the stairs; she also smells blood (olfactory imagery): Here's the smell of the blood still. All the perfumes of Arabia will not sweeten this little hand. Oh! oh, oh! (5.1.53-55) Hyperbole - Obvious exaggeration  There is also h