Why did Jonas feel that love would be risky in The Giver?

I also think that what Jonas could not articulate is that there is a risk of loss in love. His life of emotional deprivation does not give him a vocabulary with which to express this idea, but the book makes clear that people are not really emotionally invested in one another in any way. If Jonas were to die, his parents, parental units, really, would no doubt miss him, but there is nothing to suggest they would feel grief. They are on record as not loving him. Death is unknown in this community, since it is euthanasia that is tidied up, euphemized, and hidden from the people. If one's beloved grandparent were to die, it would be a painful loss, one of the risks of love. Similarly, if people chose partners based on love, that love could be lost, another of its risks.

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What are some external and internal conflicts that Montag has in Fahrenheit 451?

Montag, the protagonist of Fahrenheit 451, faces both external and internal conflicts throughout the novel. Some examples of these conflicts are: External Conflicts: Conflict with the society: Montag lives in a society that prohibits books and critical thinking. He faces opposition from the government and the people who enforce this law. Montag struggles to come to terms with the fact that his society is based on censorship and control. Conflict with his wife: Montag's wife, Mildred, is completely absorbed in the shallow and meaningless entertainment provided by the government. Montag's growing dissatisfaction with his marriage adds to his external conflict. Conflict with the fire captain: Montag's superior, Captain Beatty, is the personification of the oppressive regime that Montag is fighting against. Montag's struggle against Beatty represents his external conflict with the government. Internal Conflicts: Conflict with his own beliefs: Montag, at the beginning of th...

In A People's History of the United States, why does Howard Zinn feel that Wilson made a flimsy argument for entering World War I?

"War is the health of the state," the radical writer Randolph Bourne said, in the midst of the First World War. Indeed, as the nations of Europe went to war in 1914, the governments flourished, patriotism bloomed, class struggle was stilled, and young men died in frightful numbers on the battlefields-often for a hundred yards of land, a line of trenches. -- Chapter 14, Page 350, A People's History of the United States Howard Zinn outlines his arguments for why World War I was fought in the opening paragraph of Chapter 14 (referenced above). The nationalism that was created by the Great War benefited the elite political and financial leadership of the various countries involved. Socialism, which was gaining momentum in Europe, as was class struggle, took a backseat to mobilizing for war. Zinn believes that World War I was fought for the gain of the industrial capitalists of Europe in a competition for capital and resources. He states that humanity itself was punished by t...

Where did Atticus take the light and extension cord in To Kill a Mockingbird?

Atticus brings the light to the courthouse jail so that he can protect Tom Robinson. Atticus learns that Tom Robinson, his client, is in danger. A group of white men want to prevent the trial and lynch Robinson. He is warned by a small group of men that appear at his house. He refuses to back down. Atticus knows that the Cunninghams will target his client, so he plans to sit up all night with... Atticus brings the light to the courthouse jail so that he can protect Tom Robinson. Atticus learns that Tom Robinson, his client, is in danger. A group of white men want to prevent the trial and lynch Robinson. He is warned by a small group of men that appear at his house. He refuses to back down. Atticus knows that the Cunninghams will target his client, so he plans to sit up all night with Jim if that’s what it takes to protect him. Atticus tells the men that he will make sure his client gets his fair shake at the law. “Link, that boy might go to the chair, but he’s not going till ...

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