I also think that what Jonas could not articulate is that there is a risk of loss in love. His life of emotional deprivation does not give him a vocabulary with which to express this idea, but the book makes clear that people are not really emotionally invested in one another in any way. If Jonas were to die, his parents, parental units, really, would no doubt miss him, but there is nothing to suggest they would feel grief. They are on record as not loving him. Death is unknown in this community, since it is euthanasia that is tidied up, euphemized, and hidden from the people. If one's beloved grandparent were to die, it would be a painful loss, one of the risks of love. Similarly, if people chose partners based on love, that love could be lost, another of its risks.
The most obvious use of hyperbole in "The Gift of the Magi" occurs when the narrator describes Della's and Jim's evaluations of their two treasures—her long, luxuriant hair and his gold watch. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his... The most obvious use of hyperbole in "The Gift of the Magi" occurs when the narrator describes Della's and Jim's evaluations of their two treasures—her long, luxuriant hair and his gold watch. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him plu
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