Skip to main content

What is an example of syntax in "Somewhere I Have Never Traveled, Gladly Beyond" by E.E. Cummings?

Syntax refers to word order in a sentence or clause or phrase.  Cummings is famous for his variations on “normal” syntax.  Every language has its own “rules” or “habits” of syntax; for example, in English an adjective usually goes before the noun it modifies (white wine), but in French the modifier follows the noun (vin blanc).  The same is true of adverbs and verbs – “normative” syntax puts the adverb after the verb (“moves gracefully”). ...

Syntax refers to word order in a sentence or clause or phrase.  Cummings is famous for his variations on “normal” syntax.  Every language has its own “rules” or “habits” of syntax; for example, in English an adjective usually goes before the noun it modifies (white wine), but in French the modifier follows the noun (vin blanc).  The same is true of adverbs and verbs – “normative” syntax puts the adverb after the verb (“moves gracefully”).  In Cummings’ poem, an example of “normative” syntax might be “small hands,” while Cummings’ variation of syntax might be “open always” (adverb before verb).  Beyond these small variations, Cummings also uses unusual sentence syntax, as in:


   you open always petal by petal myself as Spring opens   (touching skilfully,mysteriously)her first rose


These variations offer freshness to his texts, causing the reader to read more carefully and to savor his metaphors.  Add to this his unique use of punctuation and spacing, and his poetic signature is evident everywhere in this beautiful love poem.

Comments

Popular posts from this blog

What is the meaning of "juggling fiends" in Macbeth?

Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a... Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a sense of guilt, and that man tells him: Despair thy charm. And let the angel whom thou still hast serve...

In Martel's Life of Pi, how does writing a diary help Pi Patel build on his leadership skills?

At the end of chapter 73, Pi first divulges the fact that he had started a diary after about a week alone at sea. Pi claims that he wrote about "practical stuff" (208) such as what he caught for food, foreseeable problems and solutions, Richard Parker, and reflections about specific events that occurred. In a sense, Pi is the captain of his ship; therefore, he must take responsibility for himself and his crew. He can... At the end of chapter 73, Pi first divulges the fact that he had started a diary after about a week alone at sea. Pi claims that he wrote about "practical stuff" (208) such as what he caught for food, foreseeable problems and solutions, Richard Parker, and reflections about specific events that occurred. In a sense, Pi is the captain of his ship; therefore, he must take responsibility for himself and his crew. He can do this by writing down events, problems and solutions, and reflections to look back on when confronted with repeated problems. It can ...

Why did Tybalt attack and kill Mercutio instead of Romeo, who he had originally been targeting?

Though Tybalt's quarrel is with Romeo, he begins the momentous duel in Act 3 by fighting with and killing Mercutio instead. Tybalt ultimately attacks Mercutio because the garrulous and hot-headed character insults Tybalt and goads him into a duel to protect Romeo's honor. From the beginning of the encounter in Act 3, Scene 1, it's clear that Mercutio is itching for a fight. For instance, when Tybalt signals that he wants to talk to Mercutio... Though Tybalt's quarrel is with Romeo, he begins the momentous duel in Act 3 by fighting with and killing Mercutio instead. Tybalt ultimately attacks Mercutio because the garrulous and hot-headed character insults Tybalt and goads him into a duel to protect Romeo's honor. From the beginning of the encounter in Act 3, Scene 1, it's clear that Mercutio is itching for a fight. For instance, when Tybalt signals that he wants to talk to Mercutio and Benvolio, Mercutio responds "And but one word with one of us?/ Couple it w...