Skip to main content

What style and techniques are used by Camus in The Stranger and what are their effects on the reader?

In The Stranger, Albert Camus employs a particular style and techniques in order to intensify the effect of the story on the reader. 


The style of narration is detached, unemotional, and almost bizarrely matter-of-fact. This is evident right from the very first line, when Meursault says (in the original French, followed by translation): 



Aujourd'hui, maman est morte. Ou peut-être hier, je ne sais pas. 


Mother died today. Or, maybe, yesterday: I can't be sure. 



It...

In The Stranger, Albert Camus employs a particular style and techniques in order to intensify the effect of the story on the reader. 


The style of narration is detached, unemotional, and almost bizarrely matter-of-fact. This is evident right from the very first line, when Meursault says (in the original French, followed by translation): 



Aujourd'hui, maman est morte. Ou peut-être hier, je ne sais pas. 


Mother died today. Or, maybe, yesterday: I can't be sure. 



It seems very unusual for someone to report the death of his mother in such cold, clinical language. This style continues throughout the novel and has the effect of imparting a feeling of absurdity to the reader. By presenting events, thoughts, and feelings without any extra language or commentary, Camus causes the reader to feel the same sense of detached observation that Meursault feels toward the world and the people around him. Camus was primarily concerned with the meaninglessness of human existence and a sense that existence in general is irrational: imparting his feelings to the reader required this kind of detached style. 

Comments

Popular posts from this blog

What is the meaning of "juggling fiends" in Macbeth?

Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a... Macbeth is beginning to realize that the three witches have been deceiving him since he first encountered them. Like jugglers, they have kept changing their forecasts in order create confusion. This is particularly apparent when the Second Apparition they raise in Act IV,   Scene 1 tells him that no man of woman born can overcome him in hand-to-hand battle--and then Macbeth finds himself confronted by the one man he has been avoiding out of a sense of guilt, and that man tells him: Despair thy charm. And let the angel whom thou still hast serve...

In Martel's Life of Pi, how does writing a diary help Pi Patel build on his leadership skills?

At the end of chapter 73, Pi first divulges the fact that he had started a diary after about a week alone at sea. Pi claims that he wrote about "practical stuff" (208) such as what he caught for food, foreseeable problems and solutions, Richard Parker, and reflections about specific events that occurred. In a sense, Pi is the captain of his ship; therefore, he must take responsibility for himself and his crew. He can... At the end of chapter 73, Pi first divulges the fact that he had started a diary after about a week alone at sea. Pi claims that he wrote about "practical stuff" (208) such as what he caught for food, foreseeable problems and solutions, Richard Parker, and reflections about specific events that occurred. In a sense, Pi is the captain of his ship; therefore, he must take responsibility for himself and his crew. He can do this by writing down events, problems and solutions, and reflections to look back on when confronted with repeated problems. It can ...

Why did Tybalt attack and kill Mercutio instead of Romeo, who he had originally been targeting?

Though Tybalt's quarrel is with Romeo, he begins the momentous duel in Act 3 by fighting with and killing Mercutio instead. Tybalt ultimately attacks Mercutio because the garrulous and hot-headed character insults Tybalt and goads him into a duel to protect Romeo's honor. From the beginning of the encounter in Act 3, Scene 1, it's clear that Mercutio is itching for a fight. For instance, when Tybalt signals that he wants to talk to Mercutio... Though Tybalt's quarrel is with Romeo, he begins the momentous duel in Act 3 by fighting with and killing Mercutio instead. Tybalt ultimately attacks Mercutio because the garrulous and hot-headed character insults Tybalt and goads him into a duel to protect Romeo's honor. From the beginning of the encounter in Act 3, Scene 1, it's clear that Mercutio is itching for a fight. For instance, when Tybalt signals that he wants to talk to Mercutio and Benvolio, Mercutio responds "And but one word with one of us?/ Couple it w...